Home > HSC, exams and assessment, questions asked, student help, study skills, writing > Essay writing: Module C “Conflicting Perspectives” – the introduction

Essay writing: Module C “Conflicting Perspectives” – the introduction

Any guide to essay writing will tell you what an introduction should do. For example:

What is an introduction paragraph?

The introduction paragraph is the first paragraph of your essay.

What does it do?

It introduces the main idea of your essay. A good opening paragraph captures the interest of your reader and tells why your topic is important.

How do I write one?

1. Write the thesis statement. The main idea of the essay is stated in a single sentence called the thesis statement. You must limit your entire essay to the topic you have introduced in your thesis statement.
2. Provide some background information about your topic. You can use interesting facts, quotations, or definitions of important terms you will use later in the essay.

In exams you need to analyse the question very carefully and decide what your major points are going to be. Then you can write a good introduction.

Outside exams, I have found, things may work a little differently. You still need to analyse the question. How else can you be sure your essay is relevant? On the other hand you can begin a draft anywhere – a middle section for example, if that has material you are confident about. The whole essay may grow, like a movie being made, out of order. Later you can fit it all together, edit for cohesion and flow, and write an introduction to fit what evolved. Or you might draft straight through from beginning to end. I have in the past done it both ways, or written an introduction first and then jumped to various sections. I almost invariably find myself revising the introduction very heavily as it sometimes contains more than it should, or your actual writing may have changed the order the introduction outlines.

In exams you can’t afford too many second thoughts! (Exams really are a rotten venue for good writing!)

I have been foolish enough to promise a “model essay” for Module C. Now beware of model essays. They are just what they say they are – suggestions. They are not one size fits all perfect essays, and they should never be learned off by heart. They may even, with the best intentions, be bad models. So read them critically and learn from them, but your essay must be YOUR essay, not mine!

The question

“When composers embed conflicting perspectives in their work they are simply reflecting the way we process events, personalities and situations in real life. To study how composers do this enhances our own responses.”  Has this been the case with the texts you have studied for Conflicting Perspectives?  Refer to your set text and TWO texts of your own choosing.

What a nasty question, but I have no-one to blame but myself. ;)

Intro 1: for Julius Caesar

It is often said that conflict of some kind is at the heart of every narrative, especially in the tight narratives needed in a play like Shakespeare’s Julius Caesar. There are certainly conflicting perspectives on situations, events and characters in that play. Referring to three key scenes we will find how Shakespeare has created those perspectives. In a very different genre, the short story, a conflict of perspectives is at the heart of Ding Xaoxi’s “The Angry Kettle” (in Maidenhome, Melbourne 1993). This story shows that conflicting perspectives are not always matters of power or life and death but may create humour, which may also be seen in the conflicting perspectives embodied in the film Priscilla, Queen of the Desert. In all these examples studying how the perspectives are created does make the texts richer and  sharpens awareness of how such conflicts play out in life.

According to Janne Schill (Deconstructing Perspectives 2003) a perspective is “an impression that is given by viewing something from a certain position. This position, in a specific context, acts as a vantage point from which a particular issue is seen, heard, felt, or otherwise understood.” In the first scene of Julius Caesar…

Intro 2: for Ted Hughes Birthday Letters

It is often said that conflict of some kind is at the heart of every narrative, and behind and within the poems in Birthday  Letter Ted Hughes grapples with a range of conflicting perspectives, some of them internal, on the tragic outcome of his marriage to the poet Sylvia Plath. There are certainly conflicting perspectives on situations, events and characters in these poems. Referring to two poems, “Fulbright Scholars” and “Your Paris”, we will find how Hughes has created those perspectives. The movie Sylvia (2003) is especially interesting as it draws on the same situation, but the perspectives are different and the way they are created is very different. In quite another genre, the short story, a conflict of perspectives is at the heart of Ding Xaoxi’s “The Angry Kettle” (in Maidenhome, Melbourne 1993). This story shows that conflicting perspectives are not always matters of life and death but may create humour. In all these examples studying how the perspectives are created does make the texts richer and  sharpens awareness of how such conflicts play out in life.

According to Janne Schill (Deconstructing Perspectives 2003) a perspective is “an impression that is given by viewing something from a certain position. This position, in a specific context, acts as a vantage point from which a particular issue is seen, heard, felt, or otherwise understood.” In “Fulbright Scholars”…

Intro 3: for Snow Falling on Cedars

It is often said that conflict of some kind is at the heart of every narrative. This is true of David Guterson’s Snow Falling on Cedars. There are certainly conflicting perspectives on situations, events and characters in this novel. Referring to three key episodes we will find how Guterson has created those perspectives. In a tighter genre, the short story, a conflict of perspectives is at the heart of Ding Xaoxi’s “The Angry Kettle” (in Maidenhome, Melbourne 1993). This story shows that conflicting perspectives are not always matters of power or life and death but may create humour, which may also be seen in the conflicting perspectives embodied in the film Priscilla, Queen of the Desert. In all these examples studying how the perspectives are created does make the texts richer and  sharpens awareness of how such conflicts play out in life.

According to Janne Schill (Deconstructing Perspectives 2003) a perspective is “an impression that is given by viewing something from a certain position. This position, in a specific context, acts as a vantage point from which a particular issue is seen, heard, felt, or otherwise understood.” Very early in Snow Falling on Cedars Guterson sets up one of the principal conflicting perspectives in his novel. It concerns …

  1. saki
    July 31, 2009 at 5:59 pm | #1

    okay. thank you. ill be waiting :)

  2. August 2, 2009 at 6:48 am | #2

    Thank you for your help on Snow Falling on Cedars. It’s been hard with this module with my teacher taking long service leave and the replacement teacher doing nothing but reading the book in class with us…

  3. Uppusushi
    August 3, 2009 at 5:19 pm | #3

    hey

    the intro to the julius Caesar was really helpful.. could u plz also put up a body so we can use it as an example to construct our essays

    thank you

  4. Alanah
    August 19, 2009 at 4:23 pm | #4

    Hey,
    Thanks very much for the introduction for Julius Caesar, I found it very helpful :]

  5. ozzievictor
    August 25, 2009 at 5:57 pm | #5

    My introduction to your Caesar question. Is it a valid perspective on Module C?

    “The most important thing in communication is hearing what isn’t said” (Peter Drucker). This fundamental insight from one of the world’s leading management theorists explains why in the search for meaning we need to look beyond words and into the perspectives of the speakers. When composers shape their works, they inevitably reflect the events of the real world but the communication of their messages is encrypted into the conflicting perspectives of their characters.

    Shakespeare’s Julius Caesar, the Australian TV mini-series The Dismissal, and eminent Australian author Colleen McCullough’s October Horse are compositions portraying meaning from analysis of historical events. Central to these texts is the conflicting perspectives of the four main personas of political power play – the populist, the idealist, the opportunist and the strategist. The embodiment of populism, idealism, opportunism and managerism within individual characters who compete for influence reflects the way events and situations are shaped in real life. It also enhances our own responses as we react to these influences in seeking enlightenment from the work.

    The power of this approach was evident in my study of the three texts and allowed me the insight that the failure of each of the characters to appreciate and resolve their conflicting perspectives through dialogue carried dire consequences for the individuals, for their causes, and for their constituencies.

  6. August 25, 2009 at 10:30 pm | #6

    It is very insightful, ozzievictor. You’ll notice I broke it into smaller paragraphs. I suspect the last two should be the conclusion rather than part of the introduction, and you may experiment with making it more “objective” — for example: The power of this approach was evident in studying the three texts and led to this insight: that…

    Hold back too on the “eminent” — “Australian author” is enough. Similarly with Peter Drucker.

  7. Tim
    August 27, 2009 at 8:42 pm | #7

    Just wondering if any1 had a link to where i could find a copy of “the anrgy kettle” online? I’m pressed for time and can’t make it to the library but would be interested in using it as one of my related texts. Thanks :D

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  1. November 1, 2009 at 8:00 pm | #1