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Accent on otherness

01 Oct

Yes, this is an excellent supplementary text for NSW HSC “Journeys” [or “Belonging”] but it is more than that: Pauline Webber in The Weekend Australian (September 29, 2007).

THE point at which cultures and ethnicities intersect is fertile ground for the creative arts. Such hybridity has been a riff running through the history of international cinema from the moment Hollywood opened its arms to European Jews fleeing the Nazi onslaught. Globalisation and the convoluted patterns of migration shaping the post-war world have provided film industries everywhere with periodic injections of freshness and originality. Films are made by North Africans in France, Asians in the US, Armenians and Iranians in Canada, Indians and Pakistanis in Britain.

A surprisingly large number of Australian filmmakers are from migrant backgrounds. Just taking a selection from those who have a significant body of work makes a long list: Rolf de Heer, Ana Kokkinos, Tony Ayres, Paul Cox, Alex Proyas, Ray Lawrence, Khoa Do, Clara Law, Nadia Tass, Kriv Stenders, Tom Zubrycki, George Miller and many more…

Excellent overview leading to this conclusion: “Each speaks as one of us but with an accent that puts the emphasis in surprising places. Our cinema can only be the richer for the inclusion of such voices.”

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